Samuel John Peploe

Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.


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Samuel John Peploe Green Sea,Iona oil


Green Sea,Iona
Painting ID::  39336
Green Sea,Iona
mk147 c.1920 Oil on canvas 50.8x60.9cm
mk147 c.1920 Oil_on_canvas 50.8x60.9cm
   
   
     

Samuel John Peploe Kirkcudbright oil


Kirkcudbright
Painting ID::  39337
Kirkcudbright
mk147 c.1919 Oil on canvas 55.9x63.5cm
mk147 c.1919 Oil_on_canvas 55.9x63.5cm
   
   
     

Samuel John Peploe Tulips and Fruit oil


Tulips and Fruit
Painting ID::  39338
Tulips and Fruit
mk147 c.1919 Oil on canvas 58x48
mk147 c.1919 Oil_on_canvas 58x48
   
   
     

Samuel John Peploe Still Life Roses and Book oil


Still Life Roses and Book
Painting ID::  39339
Still Life Roses and Book
mk147 c.1920 Oil on canvas 73.7x60
mk147 c.1920 Oil_on_canvas 73.7x60
   
   
     

Samuel John Peploe Landscape at Cassis oil


Landscape at Cassis
Painting ID::  39340
Landscape at Cassis
mk147 1924 Oil on canvas 55.6x45.7cm
mk147 1924 Oil_on_canvas 55.6x45.7cm
   
   
     

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     Samuel John Peploe
     Scottish Painter, 1871-1935,Scottish painter. He studied at the Royal Scottish Academy schools from 1893 to 1894, and then at the Academie Julian and Acad?mie Colarossi in Paris, where he shared rooms with Robert Brough. The influence of the rustic realism of French painters and of the Glasgow Boys is clear in landscape drawings and paintings executed in Edinburgh from the mid-1890s. His still-life studies reveal the influence of the work of both Manet and Hals, which he saw in European galleries, with their combinations of thick impasto and fluid brushwork, dark background, strong lighting and meticulous handling of tones. Between 1900 and c. 1910, when he moved to Paris, he painted in Edinburgh, on sketching holidays in Scotland and in northern France with John Duncan Fergusson, and exhibited in Edinburgh, Glasgow and London.

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